The vampire what boundaries does the

Debates have surfaced over whether Dracula is a conservative or liberator y piece of text. Hendershot argues that this would have evoked anxiety in those members of society still upholding the Victorian values, as gender identity expectations were being redefined, and the clear distinction between the sexes provided a comfort zone Hendershot p.

Others such as Auerbach argue that "Dracula is in love less with death or sexuality than with hierarchies, erecting barriers hitherto foreign to vampire literature; the gulf between male and female, antiquity and newness, class and class, England and non-England, vampire and mortal, homoerotic and heterosexual love, infusing its genre with a new fear: Browning depicts Renfield as a sane, although eccentric, Englishman, who once bitten by Dracula becomes insane and animal like.

Van Helsing describes Dracula as having a child-like brain, and to not be fulled by his man-stature Stoker, p. This is more true for some than others though. Lucy poses a threat by exposing herself as a danger to sexual propriety; a threat to Victorian ideology - "Why can't they let a girl marry three men or as many as want her.

The body shook and quivered and twisted in wild contortions; the sharp white teeth champed together till the lips were cut, and the mouth was smeared with a crimson foam Mina Murray June Crowley played Andrews fianc Their conflict arises over a duel to see who is able to assert more power over women, both sexually and intellectually, gender functions that are woven tightly into Victorian ideals about masculine and feminine counterparts; as shown by Lucy.

Many would say that males and females think alike but the truth of the matter is that these gender roles are almost nothing Dracula endangers gender boundaries; the division between male and female.

Stoker constructs the vampire as an embodiment of threat by surpassing his Gothic novelist predecessors to bring the threat of the Gothic home to Victorian England Arata Sexual and human taboo boundaries are threatened, incorporating masculine and feminine as well as gender boundaries.

However, this ruling class does not come out of the battle unscathed, and the Victorian Harker acts as the passive or subordinate one in his partnership to Mina.

In fact, the real vampire community in general seems to have appropriated very few of the trappings mainstream culture attaches to creatures of the night. Nightmares, according to Freudian psychoanalysis, result from sexual oppression and occur most commonly in virgins, widows and nuns; and that the remedy is found in the love of a good or bad man Jones, p.

The Oedipal complex on the other hand begins with a child; who views itself; its mother; and its father as separate entities.

As Nina Auerbach has pointed out, the Un-Dead Lucy is faithfully monogamous in directing her sexual attentions to Arthur Holmwood alone. The body shook and quivered and twisted in wild contortions; the sharp white teeth champed together till the lips were cut, and the mouth was smeared with a crimson foam The essay is using the novel Dracula by Bram Stoker and the film version of Dracula by Tod Browning as the literary base from which the boundaries are derived and analyzed.

Stoker stays within Western ideology of seeing conflict in the East in terms of racial conflict. He tries to create Lucy and Mina in his own image; he values Lucy for her sexual strength and Mina for her intellectual ability Signorotti, p.

Sexual and human taboo boundaries are threatened, incorporating masculine and feminine as well as gender boundaries. Dracula represents deviant sexuality.

What Boundaries Does The Vampire Threaten

It is however important to note that the boundaries in Dracula are not as clear cut as suggested: Dracula displays the breakdown of normal gender roles posed by the New woman, by creating a physical transformation from the sexually passive woman into the sexually aggressive vampire in his victims Hendershot p.

This can either be analysed through the Oedipal complex; or through forbidden desire: Sexual woman poses a threat to Victorian society. What Boundaries Does the Vampire Threaten?. The Vampire What boundaries does the Vampire threaten? Written by Amanda Turner. What boundaries does the Vampire threaten?

Discuss possible answers to this question with reference to at least two critical or theoretical essays and at least two tellings' of the Dracula story. Eddie Vedder Is A Vampire I, Vampire Interview with the vampire The New Vampire: Bram Stoker's Dracula and Anne Rice's Interview with The Vampire The vampire:.

What boundaries does the Vampire threaten?

The vampire: What boundaries does the vampire threaten? Discuss with r

Written by Amanda Turner Discuss possible answers to this question with reference to at least two critical or theoretical essays and at least two tellings ' of the Dracula story._____ The Vampire in Dracula threatens the very existence of Victorian England.

What boundaries does the Vampire threaten? Discuss possible answers to this question with reference to at least two critical or theoretical essays and at least two tellings' of the Dracula story.4/4(1).

The Vampire. What boundaries does the Vampire threaten?Discuss possible answers to this question with reference to at least two critical or theoretical essays and at least two tellings' of the Dracula story/5(16).

What Boundaries Does the Vampire Threaten? The vampire what boundaries does the
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The vampire: What boundaries does the vampire threaten? Discuss with r Essays